Building the Head

Firstly, I bought a polystyrene head and made a base to hold it; an aluminium pole allows the head to be easily rotated and picked up from the base. Using a bala clava for the base, upholstery/high-density foam is shaped and applied. The foam is drawn onto then cut with an electric carving knife. I used a scalpel and scissors to do finer cutting around the edges. Here is the progress so far:

 

After finishing the foam carving (more was added from previous shot), I made a pattern for the fur using muslin. After cutting the fur and roughly pinning it, with nose and eyes thrown on, it looks like this monstrosity:

Horrifying. Trimming the fur will make it a lot better.... Oh, and furring the ears, maybe.

Componants

Amongst twiddling my thumbs waiting for materials to arrive, I sculpted a nose and four claws in plasticine. Looking for reference pictures was pretty awesome. Google image search for dog nose. So. Cute.

 The nose and claws were moulded in silicone, then cast in resin.

Once slippers arrived, I began to shape/foam them. Hooray!

For the mouth and paw pads, I will be running foam latex. Here, the plaster moulds:

What this is all about....

This blog will chronicle (hopefully) my work on a costume made for Poole Lighthouse's panto-production of Peter Pan. The brief was actually sent to our class and I signed myself up for the Nana costume. It is essentially a fursuit/mascot costume. I have agreed to make the full costume, something I have no experience doing. I have made fur gloves, tails, and heads before. This project will now give me a chance to make the body suit and feet. It will be the third head that I will have made. Third time's the charm, right?

Below is a clip of the image I was sent to base my costume on.

...and my turn-around illustration from it.

The suit is to be delivered to the client by November 29.